Bowie's son Duncan Jones' first feature _Moon_ eschews flashy effects and budget, instead drawing inspiration from the atmospheric and philosophical sci-fi films of the 1970s and '80s. Dean Sobers wonders if it can become more than the sum of its reference points
Bowie's son Duncan Jones' first feature _Moon_ eschews flashy effects and budget, instead drawing inspiration from the atmospheric and philosophical sci-fi films of the 1970s and '80s. Dean Sobers wonders if it can become more than the sum of its reference points
Endless is the party incubating London's most exciting new producers, with the likes of Lexxi, Shanti and Kamixlo cocking a snook at barriers of genre. Seb Wheeler reports from a recent outing south of the Thames, and far outside convention