As his experimental film marks its fiftieth birthday with a screening in the Dalston street where it was shot, John Smith speaks to David Moats about his life's work exploring the unreliable perspective of the camera's lens
As his experimental film marks its fiftieth birthday with a screening in the Dalston street where it was shot, John Smith speaks to David Moats about his life's work exploring the unreliable perspective of the camera's lens
In this lost interview from 2009, Rhys Chatham talks to David Moats about doom metal, gentrification and drum & bass as a collaboration between him and Charlemagne Palestine comes to St. John's Church in Hackney on Thursday as part of William Basinski and Art Assembly's Arcadia series
In this lost interview from 2009, Rhys Chatham talks to David Moats about doom metal, gentrification and drum & bass as a collaboration between him and Charlemagne Palestine comes to St. John's Church in Hackney on Thursday as part of William Basinski and Art Assembly's Arcadia series
Ahead of her live soundtrack at Branchage this weekend. David Moats talks to harpist and songwriter Serafina Steer about her work with John Foxx and Patrick Wolf, being classically trained, the difficulties of doing live soundtracks and psychedelia.
Ahead of her live soundtrack at Branchage this weekend. David Moats talks to harpist and songwriter Serafina Steer about her work with John Foxx and Patrick Wolf, being classically trained, the difficulties of doing live soundtracks and psychedelia.
David Moats says legendary stop-motion animator Jan Švankmajer's take on Alice In Wonderland is miles ahead of other children's films - not just for the way it brings dreams to life, but also for what it leaves to the imagination
David Moats says legendary stop-motion animator Jan Švankmajer's take on Alice In Wonderland is miles ahead of other children's films - not just for the way it brings dreams to life, but also for what it leaves to the imagination
Singer, composer and inventive pop songwriter Imogen Heap talks to David Moats about her original sountrack to the classic surrealist short The Seashell and the Clergyman, premiering at the Birds Eye View Film Festival this Friday
Singer, composer and inventive pop songwriter Imogen Heap talks to David Moats about her original sountrack to the classic surrealist short The Seashell and the Clergyman, premiering at the Birds Eye View Film Festival this Friday
Alex Gibney and Charles Ferguson were the strongest directors to come out of the 2000 boom in left-leaning docs, and their films _Client 9_ and the now Oscar winning _Inside Job_ are out in the UK this week. David Moats gives his verdict
Alex Gibney and Charles Ferguson were the strongest directors to come out of the 2000 boom in left-leaning docs, and their films _Client 9_ and the now Oscar winning _Inside Job_ are out in the UK this week. David Moats gives his verdict
Once again, Luke Turner and David Moats cross the wind-whipped seas to the Branchage International Film Festival, where they starred in a post-apocalyptic film with Ian Svenonius, climbed two forts, and examined the dark heart of the Berlusconi regime
Once again, Luke Turner and David Moats cross the wind-whipped seas to the Branchage International Film Festival, where they starred in a post-apocalyptic film with Ian Svenonius, climbed two forts, and examined the dark heart of the Berlusconi regime
David Moats laments not having seen the end of new wave classic _Breathless_ which is being restored and re-released in cinemas on June 25. Join The Quietus and Branchage for a 50th anniversary party tonight in Central London. Click here for details.
David Moats laments not having seen the end of new wave classic _Breathless_ which is being restored and re-released in cinemas on June 25. Join The Quietus and Branchage for a 50th anniversary party tonight in Central London. Click here for details.
In 1976 The Rolling Stones were still raging hard and released the sun scorched and rum sodden Black And Blue (which was reissued recently). Barbara Charone spent a few days with them and the result was this classic feature for Sounds
With the release of her new book Small Town Joy: From glam rock to hyperpop: how queer music changed the sound of Scotland, author Carrie Marshall talks to Claire Sawers about growing up in 1970s Lanark, clubbing at Edinburgh's Fire Island and the "seismic" influence of Jimmy Somerville
Ahead of an appearance at Wysing Arts Centre's annual day festival in September, Discwoman's DJ Haram speaks to Kristen Gallerneaux and Bernie Brooks about the scene in her base of Philadelphia and linking up with Moor Mother and the Discwoman collective