It's been three decades since the release of Annie Lennox and Dave Stewart's classic. Matthew Lindsay casts an ear and an eye back over a "sad, strange and popular" album that "pulled off the New Pop trick of having your cake and eating it; revelling in what you deconstruct"
The DJ sets and collage edits of LA's Total Freedom dissolve R&B, pop and rap into churning noise and razor beats, distorting time and space in the club. He meets Alexander Iadarola to discuss a fascination with club cultures, and folllowing the impulse to fuck with dancers' pleasure centres