Iannis Xenakis has long been seen as a titan of modern composition, written about in awed tones, the subject of innumerable retrospectives. Yet why, asks Dan Siepmann, has his work for so long overshadowed non-male artists like Pauline Oliveros?
Iannis Xenakis has long been seen as a titan of modern composition, written about in awed tones, the subject of innumerable retrospectives. Yet why, asks Dan Siepmann, has his work for so long overshadowed non-male artists like Pauline Oliveros?
Violinist and composer Laura Cannell explores a trio of new string compositions from the leader of the London Contemporary Orchestra, previously a collaborator with Suzanne Ciani, Terry Riley, Thom Yorke and Frank Ocean, and a powerful force in new and primordial music