Craig Terlino speaks with Les Claypool to discuss what to expect from this new deluxe edition, how the album has held up since its release, and to see whether it's still impossible to put your finger on their sound after all these years. Photos by Valerio Berdini
Craig Terlino speaks with Les Claypool to discuss what to expect from this new deluxe edition, how the album has held up since its release, and to see whether it's still impossible to put your finger on their sound after all these years. Photos by Valerio Berdini
Our Boston, MA correspondent Craig Terlino ponders the basis of modern US cinema great Paul Thomas Anderson's sixth feature, which opens as a 70mm presentation at the Odeon West End in London this Friday, before going on regular nationwide theatrical release from November 16
Our Boston, MA correspondent Craig Terlino ponders the basis of modern US cinema great Paul Thomas Anderson's sixth feature, which opens as a 70mm presentation at the Odeon West End in London this Friday, before going on regular nationwide theatrical release from November 16
To celebrate this week's Blu-ray release (in the UK at least) of Repo Man, director Alex Cox reflects on the 1984 cult classic, subsequent battles with Hollywood and Hunter S. Thompson, and why it's fine to pirate his work. Interview by our Boston scribe Craig Terlino
To celebrate this week's Blu-ray release (in the UK at least) of Repo Man, director Alex Cox reflects on the 1984 cult classic, subsequent battles with Hollywood and Hunter S. Thompson, and why it's fine to pirate his work. Interview by our Boston scribe Craig Terlino
After five tumultuous years, Gum Takes Tooth have delivered one of 2019’s early standouts in the form of new album ‘Arrow’. Patrick Clarke meets the band to talk the realities of musicianship in London, automatic writing and the story behind their stunning third record. All pictures by Eric Oliveira.
Bristol's Sam Kidel battles with his computer to create constantly evolving club tracks with a hand-played sensibility. He speaks to Rory Gibb about the "strange abstraction" of producing music on a screen, and has recorded us a mix