Adam Ant tours his anthems and his insect nation fill the Royal Albert Hall. It’s a comeback which can only be hailed as triumphant. Chris Roberts argues that the later, solo hits are every bit as dynamic as the Antmusic which gave us the early Eighties’ brightest star
Adam Ant tours his anthems and his insect nation fill the Royal Albert Hall. It’s a comeback which can only be hailed as triumphant. Chris Roberts argues that the later, solo hits are every bit as dynamic as the Antmusic which gave us the early Eighties’ brightest star
A sunlit summer park in East London might be a million miles from grimy 1970s New York, but Chris Roberts finds true wonder in Patti Smith's performance of Horses on the Quietus/EYOE main stage at Field Day. There's life in the old nag that is rock & roll yet. Photos by Valerio Berdini
A sunlit summer park in East London might be a million miles from grimy 1970s New York, but Chris Roberts finds true wonder in Patti Smith's performance of Horses on the Quietus/EYOE main stage at Field Day. There's life in the old nag that is rock & roll yet. Photos by Valerio Berdini
Chris Roberts attends a mostly-rave festival in Copenhagen in search of "hyggelig" and finds people spinning in the sky, drunk acrobats, Peaches singing ‘Total Eclipse Of The Heart’, a hippie paradise and daredevil cyclists.
Chris Roberts attends a mostly-rave festival in Copenhagen in search of "hyggelig" and finds people spinning in the sky, drunk acrobats, Peaches singing ‘Total Eclipse Of The Heart’, a hippie paradise and daredevil cyclists.
The legendary Bryan Ferry has just released Olympia, his best album in two decades, and continues the Roxy Music revival tour in the new year. Chris Roberts visits him to discuss the past and present, art, controversy, Keats, Kate Moss, and being stuck in a lift with Charlton Heston
The legendary Bryan Ferry has just released Olympia, his best album in two decades, and continues the Roxy Music revival tour in the new year. Chris Roberts visits him to discuss the past and present, art, controversy, Keats, Kate Moss, and being stuck in a lift with Charlton Heston
Anthroprophh, the new project of Paul Allen of Bristol voyagers The Heads, blasts off into inner space via kosmische drone and acid-frazzled guitar workouts. He speaks to Joseph Burnett about how writing his debut album provided a creative shot in the arm
Stewart Lee is back with another series of Comedy Vehicle. He tells Simon Price his thoughts on Lenny Bruce, Boris Johnson and Jeremy Corbyn, swimming through piss, Brexit and the pitfalls of being constantly misunderstood
With 1993’s The Very Crystal Speed Machine set to get its first UK release as part of their Righteously Remastered box set, reunited rock & roll preachers Thee Hypnotics tell Julian Marszalek about the album that should have made them but instead wore them down
Cellist Julia Kent uses the instrument to evoke complex interplays of emotions that touch both on inner experience and the rhythms of the physical world. With latest album Character out now, she speaks with Russell Cuzner about collisions of ancient and modern technology
Fabulous Diamonds' heat-hazed mix of punk, psych and dub ranks them among the most original acts in the Australian underground. As Steph Kretowicz discovers when they meet to discuss recent LP Commercial Music, their creative impulses are tempered by a contrary streak
With a reputation as bricks-and-mortar shorthand for Little England conservatism, you might be surprised to know that Tunbridge Wells has long had a thriving musical underground. Alexander Tucker speaks to scene stalwarts Joeyfat, currently being celebrated with a compilation and reissues on Wrong Speed Records