No Bra's new album Candy is as witty and weird as ever, setting her customary deadpan humour and provocations to sparse instrumental backdrops. She speaks to Bryony Beynon about avoiding capitalist gender stereotypes and fantasising about "having sex with random construction workers in random suburbs of London"
No Bra's new album Candy is as witty and weird as ever, setting her customary deadpan humour and provocations to sparse instrumental backdrops. She speaks to Bryony Beynon about avoiding capitalist gender stereotypes and fantasising about "having sex with random construction workers in random suburbs of London"
Electrelane's Verity Susman is currently voyaging through a sonic world where human meets machine: organ drones, sung vocals and queer fantasies in computerised spoken word. She speaks with Bryony Beynon about audio collage and the disconnect between people and their computers
Electrelane's Verity Susman is currently voyaging through a sonic world where human meets machine: organ drones, sung vocals and queer fantasies in computerised spoken word. She speaks with Bryony Beynon about audio collage and the disconnect between people and their computers
‘Paintwork’, an album track from This Nation’s Saving Grace, is in some respects the key to the song-writing processes of The Fall. John Doran looks back to 1985 with some help from Mark E. Smith. Originally published in 2010
Thirty-five years after they burned slow and bright, Galaxie 500 remain one of indie rock’s most quietly untouchable constellations. In conversation with Dean Wareham, Naomi Yang and Damon Krukowski, Brian Coney provides ten points of entry to the dimmer recesses of their back catalogue
Elsa Court unpicks the cinematic relationship between Agnès Varda and Jean-Luc Godard. With her new film, Faces, Places, in UK cinemas soon, and a retrospective currently on screen at the BFI Southbank, a reassessment of the often marginalised Varda feels more vital than ever
In his latest survey of the French music scene, David McKenna takes stock of a tumultuous few months in French politics, picks some recent cultural highlights and reviews culture-straddling music from Marseille as well as new folk, occult rock and an adventurous gamelan ensemble