No Bra's new album Candy is as witty and weird as ever, setting her customary deadpan humour and provocations to sparse instrumental backdrops. She speaks to Bryony Beynon about avoiding capitalist gender stereotypes and fantasising about "having sex with random construction workers in random suburbs of London"
No Bra's new album Candy is as witty and weird as ever, setting her customary deadpan humour and provocations to sparse instrumental backdrops. She speaks to Bryony Beynon about avoiding capitalist gender stereotypes and fantasising about "having sex with random construction workers in random suburbs of London"
Electrelane's Verity Susman is currently voyaging through a sonic world where human meets machine: organ drones, sung vocals and queer fantasies in computerised spoken word. She speaks with Bryony Beynon about audio collage and the disconnect between people and their computers
Electrelane's Verity Susman is currently voyaging through a sonic world where human meets machine: organ drones, sung vocals and queer fantasies in computerised spoken word. She speaks with Bryony Beynon about audio collage and the disconnect between people and their computers
Genre purism be damned – there is no surer evidence of jazz’s immortality than the enduring influence of Expansions, Lonnie Liston Smith’s ecstatic, eclectic and resolutely non-denominational call to spiritual arms, argues Stevie Chick