The third album from Perc takes his brutalist techno sound and places it in the historicism of the machinic modernist utopias of the 20th Century. An era, argues Bob Cluness, that for all its chilling monstrosity, has now been usurped by a techno dystopia more terrifying
The third album from Perc takes his brutalist techno sound and places it in the historicism of the machinic modernist utopias of the 20th Century. An era, argues Bob Cluness, that for all its chilling monstrosity, has now been usurped by a techno dystopia more terrifying
This weekend, Jay-Z and Beyoncé released joint album Everything Is Love exclusively via their Tidal platform. But with the record already on Spotify, Eamonn Forde argues that this is yet another vain lunge by the 1% and a platform that is failing to take off
The battle lines were clear in the 1980s: you either loved Iron Maiden or you loved The Smiths, you couldn’t love both. So how did it come to pass that Morrissey would release a pop punk album and become one of the most dropped names in metal and heavy rock? John Doran investigates
Following the release of her final album Heartleap last month, the folk singer-songwriter delves into her favourite records to pick particular moments of music that have stuck with her, from Beethoven to Brandy & Monica stopping by JJ Cale, Talking Heads and Bill Callahan on the way