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Bernie Brooks

Reviews

Free Love

Inside

Free Love’s latest LP of exploratory tunes is dangerously nice, says Bernie Brooks
Reviews

Acid Arab

٣

Acid Arab drop an album of wall-to-wall heaters in the heart of winter, rousing a hibernating Bernie Brooks from his wintry den
Reviews

The Transcendence Orchestra

Dreams, Waking Thoughts and Incidents

Anthony Child and Daniel Bean conjure up the sound of monumental earthworks and unknowable seas in an attempt to reach beyond all of it, says Bernie Brooks

Album of the Week

Signature Tunes: Themes From Nyx Nótt

Aidan Moffat’s second outing as Nyx Nótt, an out-of-time set of faux themes, is as odd as it is compelling, says Bernie Brooks

Reviews

Ebe Oke

SPECIES LP1 & LP2

Ebe Oke centres the non-human other on a strange and compelling debut, says Bernie Brooks

A Quietus Interview

Long Weekend At Vinny’s: An Interview With Vinny Moonshine

Vinny Moonshine's Kevin McGorey talks to his friend and label boss Bernie Brooks about the eight year journey that brought him to his second album, Mass Extinction Fairy Tale, streaming in full ahead of release with tQ below
Reviews

Oxbow & Peter Brötzmann

An Eternal Reminder Of Not Today: Live At Moers

Oxbow and Peter Brötzmann come together like peanut butter and jelly for a nightmare soul revue, says Bernie Brooks
Album of the Week

To Infinity And Beyond: ¡Ay! By Lucrecia Dalt Is A Stunning Sci-Fi Pop Opera

On her stunning new LP, Lucrecia Dalt makes a hard left turn both away from and toward the past, says Bernie Brooks

Music Downloads

Could’ve Been A Disaster: A Conversation With Hey Colossus

Chris Summerlin and Joe Thompson of Hey Colossus talk to Bernie Brooks about their marathon cover version of a Patrick Cowley and Jorge Socarras original
Album of the Week

Nature Unborn: A Southern Code By Eros

Regis, Liam Andrews of MY DISCO, and Boris Wilsdorf team up for a merciless trip to the abattoir as EROS, says Bernie Brooks
Reviews

Ben Woods

Dispeller

Ben Woods’s latest is a weirdly accessible, creaky-yet-meticulous marvel that just might remind you of why you loved indie rock in the first place, says Bernie Brooks

Reviews

Samuel Kerridge

Kick To Kill

Samuel Kerridge giddily kills the vibe and subverts expectations on the inaugural release of his Downwards sub-label Kick To Kill, says Bernie Brooks
Reviews

Akusmi

Fleeting Future

Akusmi crafts an often-jubilant, forward-thinking sound from a vocabulary of past futures, says Bernie Brooks
Reviews

Nonsun

Blood & Spirit

Nonsun’s latest LP is a heavy treat that delights in subverting the doom template, says Bernie Brooks
A Quietus Interview

True Collective: An Interview With Equiknoxx’s Gavsborg

Gavin "Gavsborg" Blair digs into the genesis of his new Gav & Jord 12-inch (with Jordan "Time Cow" Chung), telling Bernie Brooks about persistent misconceptions about Equiknoxx, and his early days as a producer
Album of the Week

Feeling Sinister: LP.8 By Kelly Lee Owens

Kelly Lee Owens’s latest, a surprising and stunning album, is much more than the mathematics of influences, says Bernie Brooks
Reviews

Horace Andy

Midnight Rocker

Legend recognises legend as Horace Andy and Adrian Sherwood unite for the first time on an imperfect yet incredibly compelling LP, says Bernie Brooks
A Quietus Interview

Constantly Horrible Things: NAH On MANIAC INFERNO

Ahead of the premiere of his new audiovisual onslaught MANIAC INFERNO, NAH speaks to Bernie Brooks about the project and the impetus behind it
Reviews

Carmen Villain

Only Love From Now On

Carmen Villain continues a run of near-perfect releases by refining what came before and offering the listener a measure of hope, says Bernie Brooks
Reviews

Holodrum

s/t

Holodrum's debut LP is a vehicle of abandon and sincerity that manages to capture the gut-punch feeling of the live experience, says Bernie Brooks
Reviews

MY DISCO

Alter Schwede

Nearly twenty years in, MY DISCO’s latest, commissioned for Melbourne’s Flash Forward arts programme, contains some of their most fascinating work, says Bernie Brooks

Reviews

Gnod

La Mort Du Sens

*La Mort Du Sens* is Gnod at their most grindingly direct and brutally succinct, says Bernie Brooks
Baker's Dozen

Aspirational Music: Hiro Kone’s Favourite Tracks

From the duduk to spiritual jazz, Hiro Kone's Nicky Mao guides Bernie Brooks through a selection of thirteen tracks that informed and inspired her latest LP, Silvercoat The Throng
Reviews

Philip Frobos

Vague Enough To Satisfy

Omni’s Philip Frobos plays it like some sort of bizarro, pickled LA lounge lizard in a low-key rock opera on his new solo LP, says Bernie Brooks
Reissue of the Week

Reissue Of The Week: Leslie Winer’s When I Hit You – You’ll Feel It

Light In The Attic's new compilation spanning Leslie Winer's criminally slept-on career is near-perfect and a must-listen, says Bernie Brooks
Reviews

Part Chimp

Drool

Part Chimp’s latest is another slab of blissfully un-evolved dumdum poetry, says Bernie Brooks
Reviews

Manslaughter 777

World Vision Perfect Harmony

Lee Buford and Zachary Jones unite as Manslaughter 777, serving up a fantastic feast of breaks and bass on their debut LP, World Vision Perfect Harmony, says Bernie Brooks
Books

But It’s Completely Unrealistic: An Interview With Roy Wilkinson

Roy Wilkinson talks to Bernie Brooks about his serialised "non-nonfiction" book Dark Lustre, the path of most resistance, the predatory capitalism of modelmaking, and more
Album of the Week

Life As We Know It: As Days Get Dark By Arab Strap

Arab Strap are putting their age to good use on the brilliant *As Days Get Dark*, says Bernie Brooks

Reviews

Carmen Villain

Sketch for Winter IX: Perlita

Carmen Villain's excellent Perlita feels effortless, natural, and inevitable, says Bernie Brooks
A Quietus Interview

It’s Arbitrary And That’s What Makes It Beautiful: Virginia Wing Interviewed

Virginia Wing talk to Bernie Brooks about music as a coping mechanism, training the press, and making a "2020 record"
Album of the Week

Back To The Future: The Body’s I’ve Seen All I Need To See

The Body's latest LP, I've Seen All I Need To See, is a monstrously heavy, crushingly bleak monument to humankind's ruin, says Bernie Brooks
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