As SXSW approaches and British artists look down the back of the sofa for coins to be able to afford to go, artist manager Andy Inglis looks at some of the facts, figures and myths behind the torrid time many of our acts have getting across the Atlantic to sing for Uncle Sam.
As SXSW approaches and British artists look down the back of the sofa for coins to be able to afford to go, artist manager Andy Inglis looks at some of the facts, figures and myths behind the torrid time many of our acts have getting across the Atlantic to sing for Uncle Sam.
Before this weekend's Future Artefacts fair in London, we ask a selection of exhibitors — from GOST Books, Stolen Recordings and REIFY — about the meaning of the word artefact, the importance of physical media and the changing of the landscape in an increasingly digital world
Before their appearance at Desertfest at the Camden Underworld this weekend, uber-heavy bass guitar maestros James Bryant and John Atkins of Palehorse salute their favourite bass albums with Kiran Acharya (and even include one that has no bass guitar at all)