Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
Ahead of an AV performance at Lunchmeat Festival this month, Prague’s Ursula Sereghy tells Daryl Worthington about how post-humanism rewired her brain, the themes of safety (and lack of it) explored on her new album Cordial, and why playful music can still be deadly serious