With the artist's first exhibition in London for thirty years, Selected Works, currently open at David Zwirner, Amah-Rose Abrams explores the legacy of photographer Roy DeCarava and speaks to his widow, the art historian Sherry Turner DeCarava
With the artist's first exhibition in London for thirty years, Selected Works, currently open at David Zwirner, Amah-Rose Abrams explores the legacy of photographer Roy DeCarava and speaks to his widow, the art historian Sherry Turner DeCarava
With her exhibition A Countervailing Theory currently occupying the Barbican's Curve Gallery, Nigerian-American artist Toyin Ojih Odutola talks to Amah-Rose Abrams about colonial legacies, world building, and escaping the Eurocentric gaze
With her exhibition A Countervailing Theory currently occupying the Barbican's Curve Gallery, Nigerian-American artist Toyin Ojih Odutola talks to Amah-Rose Abrams about colonial legacies, world building, and escaping the Eurocentric gaze
“I think this is best record in the world,” underground Czech legend Bruno Ferrari tells Wyndham Wallace. “Because I hear only my record. I fuck on all other bands.” Contains NSFW video clips. All photographs by the author
Ahead of a short UK tour, Jane Weaver tells John Freeman how her stellar sixth solo album, The Silver Globe, was inspired by a Polish sci-fi movie and her desire to remove self-imposed shackles, resulting in the finest record of her 20-year career
Legendary Latin-jazz percussionist SHEILA E gives Simon Price a ticking-off for asking too many Prince questions. And tells him about her new album, her autobiography, her charity work, and her relationship the Almighty. Oh, and also about Prince. (A bit)
Some say that Leslie Winer aka © invented trip hop in 1990 with her album, Witch. Now she’s back with a retrospective compilation and Wyndham Wallace meets the reclusive former supermodel. Main picture by Sébastien Chou
Gwen Siôn speaks to Jude Rogers about how her love of dubstep raves in tunnels became a creative practice of turning the slate of North West Wales into music, blending field recordings with choral song, and how landscape art is political