Digging into Carrie Brownstein's memoir — Hunger Makes Me A Modern Girl — Alex Robert Ross finds a work that, removed from interaction with her collaborators, is as rife with tension as her work with Sleater-Kinney, packed full of introspection and self-laceration, but one which never strays into rock memoir cliché
Digging into Carrie Brownstein's memoir — Hunger Makes Me A Modern Girl — Alex Robert Ross finds a work that, removed from interaction with her collaborators, is as rife with tension as her work with Sleater-Kinney, packed full of introspection and self-laceration, but one which never strays into rock memoir cliché
Nashville-via-Brooklyn musician Mackenzie Scott's second album Sprinter is a bracingly honest and diverse record, which moves from howling rock grind to fractured introspection in addressing themes of mortality and loss. On her recent stop in the UK, she traced its roots with Alex Robert Ross
Nashville-via-Brooklyn musician Mackenzie Scott's second album Sprinter is a bracingly honest and diverse record, which moves from howling rock grind to fractured introspection in addressing themes of mortality and loss. On her recent stop in the UK, she traced its roots with Alex Robert Ross
On the centenary of the genocide that scattered them across the globe, members of the Armenian diaspora have united for the country's Eurovision Song Contest entry. With perpetrators Turkey refusing to accept responsibility (with the support of the UK and US), Alex Robert Ross argues that this political moment is timely
On the centenary of the genocide that scattered them across the globe, members of the Armenian diaspora have united for the country's Eurovision Song Contest entry. With perpetrators Turkey refusing to accept responsibility (with the support of the UK and US), Alex Robert Ross argues that this political moment is timely
Finnish duo Clouds have emerged from the dubstep diaspora with a unique sound hinged around balances: between organic and synthetic, between space and density. They speak to Sonic Router's Oli Marlow about their working process, plus listen to an exclusive mix below
Michael Gira says that being in Swans used to be like "trudging up a sand hill wearing a hair shirt, being sprayed with battery acid, with a midget taunting you". In which case, why has he resurrected the project, asks Frances Morgan
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk continues her inquiry into the war's cultural front, and looks ahead to an uncertain and dangerous future