The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
Seedy English vignettes supercharged by the bombast of New York's superclubs – though they didn't then know it then, the world's first modern remix album found Soft Cell on a seesaw between hedonism and self-destruction, says Patrick Clarke