The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
Ahead of a show at this year’s Sensoria Festival in Sheffield Kirsten Norrie, aka MacGillivray, talks to John Doran about her elemental multi-disciplinary practice drawing together folklore, poetry, music and film making. Main portrait by Zanne Chaudhry
In summer 2023, death metallers Blood Incantation decamped to Berlin’s Hansa studios to record groundbreaking new album, Absolute Elsewhere. Isaac Faulk talks to Dan Franklin about how pushing at the boundaries of what a band can be and a near-disaster with an untied shoelace went into creating their most mind-expanding music yet