Agata Pyzik
Black Sky Thinking
Now The Workers Have Struck For Fame – David Bowie As Political Figure
In the wake of David Bowie's death, some have rushed to 'expose' the 'problematic' nature of some of his political views and aesthetics. But, argues Agata Pyzik, the true picture was far more complex and nuanced
Black Sky Thinking
Now The Workers Have Struck For Fame – David Bowie As Political Figure
In the wake of David Bowie's death, some have rushed to 'expose' the 'problematic' nature of some of his political views and aesthetics. But, argues Agata Pyzik, the true picture was far more complex and nuanced
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Previously Read
Anniversary
Revelling In Failure: Bruce Springsteen’s Shut The Fuck Up Tour
25 years ago The Boss played Brixton Academy as part of his least successful tour since his first but, says, Liam Inscoe-Jones, while he may have been underperforming catastrophically in financial terms, this was also a time of creative rebirth
Anniversary
Why Be Here Now Is The Best Oasis Album, By Angus Batey
Angus Batey was the reviews editor on Vox when Be Here Now was released; here he lifts the lid on the sense of panic that Oasis' third album caused in the world of music journalism. But in his love for this album is he mad for it, or just mad?
Baker's Dozen
Metal Machine Music: A Persher Baker’s Dozen
Electronic producers but longtime punk, hardcore and metal heads, Blawan and Pariah take Patrick Clarke through the thirteen records that shaped their swerve into heavy music as Persher, from Meshuggah and Napalm Death to Converge and The Dillinger Escape Plan
Low Culture Essay
Do Ya Wanna Funk? Paul Flynn On Hi-NRG
In our monthly subscriber-only essay, writer Paul Flynn describes being handed a flyer for an unusual literary event which acts as a madeleine, casting him back to the 1980s, and a sexual and sonic awakening. Detail from the UK AIDS Memorial Quilt photographed by the author
Black Sky Thinking
Lady Gaga’s ‘Judas’ & The Betrayal Of Netocracy
Emily Bick looks at the similarities between Lady Gaga's 'Judas' shtick, subversive Swedish pop group Army Of Lovers and the affiliated Alexander Bard's Netocracy to argue that the star's glamourous facade is a "prophylactic barrier to two-way engagement"
