On the release of a new documentary on Dory Previn, Adelle Stripe explores an artist who learned to live with voices in her head, despite societal and institutional pressure to ignore them, and whose experiences demonstrate how female artists can seek a fulfilled creative life against the odds
On the release of a new documentary on Dory Previn, Adelle Stripe explores an artist who learned to live with voices in her head, despite societal and institutional pressure to ignore them, and whose experiences demonstrate how female artists can seek a fulfilled creative life against the odds
In the first of our subscriber-exclusive Low Culture essays, Adelle Stripe opens her battered copy of Julian Cope's The Modern Antiquarian and argues that this guide to Britain's neolithic remains has a strikingly modern relevance
In the first of our subscriber-exclusive Low Culture essays, Adelle Stripe opens her battered copy of Julian Cope's The Modern Antiquarian and argues that this guide to Britain's neolithic remains has a strikingly modern relevance
Music and intoxication have gone hand in hand since prehistory, but the relationship of music and cannabis is particularly strong and complex, says Jono Podmore, a former habitual smoker, as he investigates a groundbreaking new study which may get us closer to understanding these links
In a year that sees him finish his 'magical memoir', a new album with The Red Elastic Band and a career-spanning homecoming show in Liverpool, former Shack, Strands and Pale Fountains frontman Michael Head takes Patrick Clarke through the 13 records that shaped him
In our monthly subscriber-only essay, writer Paul Flynn describes being handed a flyer for an unusual literary event which acts as a madeleine, casting him back to the 1980s, and a sexual and sonic awakening. Detail from the UK AIDS Memorial Quilt photographed by the author
On the release of his new film Vortex, Gaspar Noé takes Patrick Clarke through an intense and adventurous Baker's Dozen of favourite films, and the lessons they've taught him on the extent of human cruelty and the joy of shocking an audience
Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it