In this month’s Genre is Obsolete, Adam Lehrer dives into new records by artists like GRIM, Crazy Doberman, Dial and more, while discussing noise music’s enduring status as an unusually independent and DIY economy and culture
In this month’s Genre is Obsolete, Adam Lehrer dives into new records by artists like GRIM, Crazy Doberman, Dial and more, while discussing noise music’s enduring status as an unusually independent and DIY economy and culture
In the fluid chaos and genre bastardization of noise, industrial, drone, no wave, and numerous forms of warped electronic music, Adam Lehrer finds an appropriate artistic embodiment of the condition of liquid modernity
In the fluid chaos and genre bastardization of noise, industrial, drone, no wave, and numerous forms of warped electronic music, Adam Lehrer finds an appropriate artistic embodiment of the condition of liquid modernity
Formed around a core originally recorded in 2014 at the Cornerhouse, Manchester, Jan St. Werner of Mouse on Mars channels the voice of the late Fall frontman on Molocular Meditation, with uncanny results, finds Adam Lehrer
Formed around a core originally recorded in 2014 at the Cornerhouse, Manchester, Jan St. Werner of Mouse on Mars channels the voice of the late Fall frontman on Molocular Meditation, with uncanny results, finds Adam Lehrer
On her new album CALIGULA and the performances behind it, the Providence-based extreme musician LINGUA IGNOTA shares more than a passing similarity with the late transgressive fiction writer Kathy Acker, says Adam Lehrer, reporting from Brooklyn
On her new album CALIGULA and the performances behind it, the Providence-based extreme musician LINGUA IGNOTA shares more than a passing similarity with the late transgressive fiction writer Kathy Acker, says Adam Lehrer, reporting from Brooklyn
With a flurry of recent activity, including reissues and the promise of a book, Duncan Seaman talks to Jowe Head, Biggles Books and Phones Sportsman, as well as Geoff Travis of Rough Trade about the cult DIY band. Home page band portrait by Caroline Kraabel
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
In this lost interview from 2009, Rhys Chatham talks to David Moats about doom metal, gentrification and drum & bass as a collaboration between him and Charlemagne Palestine comes to St. John's Church in Hackney on Thursday as part of William Basinski and Art Assembly's Arcadia series
Jeremy Allen interviews Carla Bruni in Paris about her new album French Touch, but politics is strictly interdict. “I wish good luck to Mr and Mrs Trump, I wish good luck to Mr and Mrs Macron, and I don’t care, do you understand?”
Ahead of their Quietus Social show in support of Alexander Tucker, Eden Tizard speaks to Gentle Stranger about audience responses, the dialogue between a musician and non-musician approach, and their own post-clown ethos. Pictures by Daniel Gatenio
The transportive, ritualistic drones of London's Anji Cheung conjure up portals to uncanny other worlds, heavy with the thrill of the unknown. Ahead of her performance at Supernormal this weekend, she meets Jimmy Martin to discuss a fascination with the occult, and how Throbbing Gristle and Coil have inspired her music's trips into inner space
With her latest record Six just released through Thrill Jockey, Thalia Zedek speaks to Nick Hutchings about immersing herself totally in music in recent years, last year's acclaimed album Via, and reanimating her Come project with Chris Brokaw