Brain Food: Pete Fowler's Favourite Psychedelic Albums | Page 13 of 14 | The Quietus

Baker's Dozen

Artists discuss the 13 records that shaped their lives

12. Belbury PolyThe Willows

I love Ghost Box. In a similar way to how British psych from the ’60s looked back to a whimsical past and kids’ fiction from the Victorian era, Ghost Box look back to a more modern past – specifically the ’60s and ’70s, which is when I grew up. It’s an analogue sound that seems to evoke brutalist architecture, new towns and the like. You can imagine Ghost Box soundtracking a film about a new town built on a burial site. Jim [Jupp] and Julian [House, Ghost Box co-founder] come from Caldicot, which is a really spooky part of Wales. Lots of weird gothic architecture and a lot of weird local folklore and superstition. This record by the Belbury Poly [Jupp] presents someone’s version of the past, a vision that’s both real and ephemeral. It harks back to a time that wasn’t obviously psychedelic but it’s not obviously retro. Without being too rose-tinted specs about this record, it has a slight ‘warm blanket’ effect, while still being a little uncomfortable, if that makes sense. It’s possibly a weird record for me to pick in a list of psychedelic records but it definitely does that thing of successfully imagining an alternate reality. I can imagine walking around this place.

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