8. Bob Marley

I think that tune is such a perfectly crafted piece of music. The funny thing is there’s two mixes. There’s the Jamaican mix, and the Jamaican mix is tough but I do like the other mix too. I got to work with Tony Platt who was like the engineer at a lot of those sessions and he was telling me all sorts of stories. And then what the song was about, when he was living in London and he was hanging around in Soho. It makes so much sense now because when I was really playing this a lot was when I was spending a lot of time in Soho, going to Ronnie Scott’s, learning my craft, learning to play drums and jazz, going to clubs, hanging out ‘til 4am. So I felt it, I could picture him being there like ‘Rahtid…’ Everyone’s been out on the night bus and seen something and think did that just happen? So I’ve always had an affinity with that particular track, sonically and content wise. I think people don’t often talk about that side of Bob, and they’ve made him out to be this ganja-smoking, peace-loving guy, that’s not really what he’s about. He’s very political and does a lot of social commentary.