Baker's Dozen

Artists discuss the 13 records that shaped their lives

6. The ClashThe Clash

I wasnโ€™t really a punk. I was about 16 when that album came out. But I was living above Maples, a carpet shop near Tottenham Court Road, and it was right by Capital Radio, and I remember suddenly these 14-foot letters appeared in spraypaint on Capitalโ€˜s windows, โ€˜THE CLASHโ€™! And there was a thing in Melody Maker, where I heard about this club called The Roxy at Covent Garden, so I went down there. Me and my friends already looked a bit skinhead-y, suedehead-y, and I had this mohair suit, but the connection was that the punks had straight trousers in this world of flares and Kevin Keegan hairdos. Nobody was wearing Vivienne Westwood clothing: there was a guy in a dinner jacket painted pink, and someone else in a boiler suit theyโ€™d made themselves, and it was really DIY. The tribalism between mods and skinheads and punks hadnโ€™t really started at that time, and it hadnโ€˜t fractured into a million pieces yet. In 1977, if you had short hair, and you were prepared to have someone call you a fucking cunt in your ear for it, you were in. I saw a band called Eater at the Roxy, whose average age I later found out was 14. And I first heard The Clashโ€™s โ€˜1977โ€™ and โ€˜White Riotโ€™ on record there. I felt like I was at the advent of something new. I liked punk, and I liked the attitude, but by 1978 we had our own thing going. But I always had a soft spot for The Clash, because they had the reggae thing, like us, and there was a bit of soul in their music, for want of a better word. Joe Strummer definitely had a bit of soul in his voice. Every fucking track on that albumโ€™s brilliant, but my favouriteโ€™s โ€˜Londonโ€™s Burningโ€™. And they were fucking brilliant live. And we [2 Tone bands] wouldnโ€™t have had anywhere to play if it wasnโ€™t for punk. You had pub rock informing punk, and punk informing us, and The Specials were a direct amalgam of punk and ska, and we realised that the faster we played, the more likely we could get the crowd jumping up and down, which was a legacy of punk. All these different movements, fracturing then coming back together. Youโ€™d need 60,000 sociologists to untangle those couple of years.

Selected in other Baker’s Dozens: Lol Tolhurst, Joe Elliott, Primal Scream, Ghostpoet, Chris Packham
PreviousNext Selection

Donโ€™t Miss The Quietus Digest

Start each weekend with our free email newsletter.

Help tQ Survive & Thrive

Without our subscribers, all this would simply fall into the cultural abyss. Please take a moment to explore our membership tiers and rewards + donโ€™t miss our free 30-day trial offer for new subs.

Try For Free