Essays, investigation and opinion on today’s cultural landscape
In our latest Wreath Lecture, Joe Kennedy argues that now the flaccid post punk revival of ten years ago is over, in 2012 artists are making music that embraces the imperative to move forward and reflect troubled times. Header image: artwork for test pressing of Prurient's Bermuda Drain
Kicking off The Quietus Wreath Lectures 2012: After scientists earlier this year claimed to have proved that music has been sliding a path of diminishing returns and actually does all sound the same, musicologist Stephen Graham points out why pop music is probably as exciting now as it was in 1955.
Over the past few months, Facebook has been heaving under panic postings from bands and so on claiming that their posts were being hidden in a Zuckerberg quest for cash. Not so, says Charles Ubaghs, head of social media for a major radio group
From the reaction to this just-completed American election, you'd think that Britain was the 51st State. Luke Turner argues that it's time for us to stop looking over the Atlantic, and prepare for 2015 in our own back yard
The battle lines were clear in the 1980s: you either loved Iron Maiden or you loved The Smiths, you couldn’t love both. So how did it come to pass that Morrissey would release a pop punk album and become one of the most dropped names in metal and heavy rock? John Doran investigates
Olympic cynic Luke Turner was largely won over by the achievements of the London Games. Here he argues that, despite all the still-extant reservations about how the Olympics are run, the true legacy ought not be Team GB's bling, but a Coalition-proof sense of our National identity
With the release of cynical new novel Lionel Asbo: State Of England, argues Alex Niven, Martin Amis continues the patronising run of form that helped install the pernicious and cliché-ridden notion of 'Cool Britannia' and ultimately Boris and Dave's Big Society