Spotlighting the impact of cultural landmarks
Angus Batey was the reviews editor on Vox when Be Here Now was released; here he lifts the lid on the sense of panic that Oasis' third album caused in the world of music journalism. But in his love for this album is he mad for it, or just mad?
In the three decades since its release, The Smiths' The Queen Is Dead has repeatedly been hailed as the band's crowning achievement, and regularly features in lists of the greatest albums ever made. Lifelong Smiths fan Simon Price, however, is not so sure