As Wire prepare to release Change Becomes Us and curate the Drill:London festival with The Quietus, Robert Grey, Graham Lewis, Colin Newman and Matt Simms guide Luke Turner through the inspirational near death experiences, peculiar practice and events that have shaped their decades of operation
Ahead of his collaboration with Gazelle Twin at the Drill:London festival we're curating with Wire, Robin 'Scanner' Rimbaud talks Luke Turner through his musical career, from cassettes with Coil to scanning police airwaves for phone conversations, a Derek Jarman tribute record, dance scores and soundtracking a morgue
As we look to Wire's future with their Quietus gig at the Lexington tonight and tomorrow, we look at a new book about Düsseldorf's Ratinger Hof venue, where Wire played in the late 1970s, and publish an extract where Colin Newman recalls how, in Düsseldorf, Wire felt at home. Wire live at the Ratinger Hof pic by Carmen Knoebe
Ahead of their show at this year’s Skaņu Mežs festival, Jack Barnett of These New Puritans takes Claire Biddles through an eclectic Baker’s Dozen, taking in everything from flamenco and Greek traditional music to Steely Dan and Bob Dylan
On the release of her debut solo album, former Lush member Emma Anderson takes Jude Rogers through her favourite albums, from a teenage years soundtracked by Simple Minds and The Durutti Column to her affinity with later 4AD labelmates
Perturbed by a study that found young women in the north of England are struggling to feel musical, Lottie Brazier set out to speak to the promoters, artists and managers who are helping shift the dial in the region
After three decades of work in the margins of UK psych rock and folk, Jane Weaver has risen steadily in prominence over the last four years. Here she explains to Joshua French, why she is setting aside her tried and tested means of touring with a live band for a series of solo Loops In The Secret Society shows this Autumn. With mixtape...
Tony F Wilson – a lifer's lifer. His Quietus subscribers' mix comprises a depth charge exploration into an underground catalogue that dates back to the mid 90s. Chopped, screwed and spat back up with added venom. Harry Sword gets the (sub) low down.
Long before vocalist Rachel Brown began pursuing music, they dreamed of writing for the small screen. Ahead of releasing their disorientating, technicolour new album with Water From Your Eyes, they explain this lifelong passion to Alastair Shuttleworth