A whimsical road movie anchored by Sean Penn's star turn and a David Byrne cameo, Paolo Sorrentino's English-language debut suggests that the acclaimed Italian director has, like Wim Wenders before him, entered the dread orbit of U2. Stephen Dalton muses on this cinematic Curse of Bono
Island-dwelling outsider musician and One More Grain brain Daniel Patrick Quinn tells us about his 13 favourite albums from Suede to Fela Kuti, Nico to Robert Wyatt and Gamelan to ELO, plus the sound of a snipe drumming, and wonders whether he'd have sexual feelings for Jeff Lynne were he a woman.
Phil Hebblethwaite invites you into Brahms’s German Requiem, one of the worst-named pieces of classical music in the canon. It has nothing to do with nationalism, or the church, and should have been called what Brahms later suggested: A Human Requiem. It couldn’t be more relevant in 2017
Ahead of their performance at this year’s Green Man festival, Slowdive’s Rachel Goswell talks to Julian Marszalek about being the only goth in the village, the enduring power of the voice and why pen pals and fan clubs are beautiful things.
A narrative is forming around Les Rallizes Denudes that perhaps some of their haunting strength has sprung from the lo-fi quality of their bootlegs. Cal Cashin spends time with the new crystal clear official release of CITTA '93 and finds their sublime avalanche of sound just as addictive as ever