Ahead of his excellent latest album, Great Spans of Muddy Time, William Doyle - fka East India Youth, whose debut EP was first ever record released on The Quietus Phonographic Corporation - talks us through his Baker’s Dozen. William Doyle photo by Ryan MacPhail
A band featuring Mark E Smith's ghost writer, an ex-member of The Fall and Bill Ryder-Jones' guitarist are genuinely great and commendably angry, says Fergal Kinney. But should they really be punching in and down instead of out and up?
John Freeman heads up to Sunderland to eat falafel and meet with the Brewis brothers to find out why the sinewy pop of Field Music’s new album Commontime was inspired by fatherhood, Hall & Oates and hatred for a certain brand of 4x4 car
We were offered a very brief phone conversation with Lisa Gerrard of Dead Can Dance recently. There was nothing for it but to activate our many teeted, lizard agent from Interzone, Jonny Mugwump, whose feverish brain and forked tongue work in double time...
With a flurry of recent activity, including reissues and the promise of a book, Duncan Seaman talks to Jowe Head, Biggles Books and Phones Sportsman, as well as Geoff Travis of Rough Trade about the cult DIY band. Home page band portrait by Caroline Kraabel
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
In this lost interview from 2009, Rhys Chatham talks to David Moats about doom metal, gentrification and drum & bass as a collaboration between him and Charlemagne Palestine comes to St. John's Church in Hackney on Thursday as part of William Basinski and Art Assembly's Arcadia series
Jeremy Allen interviews Carla Bruni in Paris about her new album French Touch, but politics is strictly interdict. “I wish good luck to Mr and Mrs Trump, I wish good luck to Mr and Mrs Macron, and I don’t care, do you understand?”
Ahead of their Quietus Social show in support of Alexander Tucker, Eden Tizard speaks to Gentle Stranger about audience responses, the dialogue between a musician and non-musician approach, and their own post-clown ethos. Pictures by Daniel Gatenio