In 1958, Decca Records audaciously began to record Wagner’s epic, 15-hour Ring Cycle. As Phil Hebblethwaite explains, there was more at stake than art. Decca was a classical music underdog determined to land a knock-out punch on arch rival EMI
Phil Hebblethwaite invites you into Brahms’s German Requiem, one of the worst-named pieces of classical music in the canon. It has nothing to do with nationalism, or the church, and should have been called what Brahms later suggested: A Human Requiem. It couldn’t be more relevant in 2017
With The Space Lady about to embark on her first ever tour of the UK, Nicola Meighan catches up with the mercurial US cosmic pop artist to discuss her early years busking in San Francisco, psychedelic experience and UFO sightings