A classic of film scores, Albinoni’s Adagio isn’t a lost baroque masterpiece; it’s a spoof composed by his biographer in the 1950s. Harmless fun, asks Phil Hebblethwaite, or a savage exposé of classical music’s obsession with authenticity and dead men?
Unheard for 200 years, Vivaldi became a star for the second time when an Italian group had a hit album with The Four Seasons in 1955 – the same year that rock & roll exploded. But it was a brilliant 1970 recording by Britain’s Academy of St. Martin-in-the-Fields that, for better or worse, made it truly omnipresent
With The Orb's new retrospective box set recently released, Exotic Pylon lizard lord Jonny Mugwump speaks to Alex Patterson about industrial ambient dub, the social conditions that fed into the 90s rave explosion, and working with Lee 'Scratch' Perry