Jamal Moss aka Hieroglyphic Being grabs Dustin Krcatovich by the dome for a journey through a sprawling back catalog that marries house and techno to cosmic jazz, industrial squall, and sonic vistas yet unknown
Jeff Mills may well be primarily known as one of the key figures in the development of Detroit techno and a founding member of UR but here he talks to Ed Power about his recent history working across the spectrum of the arts and his obsession with both space travel and science fiction
Robert Hood's new album under the Floorplan alias sees the minimal techno pioneer infuse his sound with gospel, disco and funk, all the while retaining his customary astonishing, hypnotic precision. He speaks with Harry Sword about growing up in '70s Detroit, the importance of intent, and how his strong Christian faith informs his attitude towards club music
The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
Forty-five years after it was first released, Joseph Burnett returns to Young's fifth solo record, an album that marked an angered transition from Harvest, bolstered by some of his bleakest and greatest moments. This feature was first published on 9 August 2014
The penniless genius creating work in his or her garret is a long-standing staple of popular culture, exploited for good PR by artists from Bob Dylan to Seasick Steve and Pete Doherty. But, says Eamonn Forde, the reality of life faced by artists like Lawrence of Mozart Estate, is not something to be celebrated by lazy music fans
In this month's Low Culture Essay, Wrongtom weaves the life of his jazz pianist grandad into his encounter with Norman Cook & co's 1990 hit single, and explores how it changed his own musical trajectory