In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future
We love it when our subscribers send in suggestions of things for us to talk about – but do we love what they’re suggesting? Is Eurythmics’ soundtrack to the 1984 film 1984 doubleplusgood or does it send John Doran into his own personal Room 101? Find out here.
Jaša Bužinel addresses the "panopticonisation" of dance music culture, and reviews exciting new releases from various electronic realms, among them new albums by CS + Kreme, Lechuga Zafiro, Mala Herba, Rrose x Polygonia and more
While doing her research for a meaty Kraftwerk retrospective in The Observer, Jude Rogers found out a fair few things that were a bit too Geek Central for the general broadsheet reader. Here follows therefore, 10 things you might not have known about Kraftwerk. Photo by Lucy Johnston
In this month’s antidote to the algorithm Puja Nandi celebrates five pioneering artists, from Asian Dub Foundation (pictured) to Osmani Soundz, who enriched the soundtrack of the pre-millennial UK by mixing drum & bass and electronica with the sounds of the Bengali diaspora
This weekend, Jay-Z and Beyoncé released joint album Everything Is Love exclusively via their Tidal platform. But with the record already on Spotify, Eamonn Forde argues that this is yet another vain lunge by the 1% and a platform that is failing to take off