For Sean Kitching, it's Don Van Vliet's penultimate album, 'Doc At The Radar Station', that best encapsulates his singular artistic vision. As the album turns 40 this month, former manager Gary Lucas, and band member Eric Drew Feldman, recall working with the man
Jesca Hoop's new album The House That Jack Built was informed by the recent death of her father, but still finds room to be playful with both sound and lyrical concerns. She tells John Freeman about how it came together, touring with Peter Gabriel and the compulsion to keep creating
Ahead of a show this Saturday at London's Southbank Centre, Catherine Anne Davies takes us through the 13 albums that have defined her life and work as The Anchoress, from childhood memories soundtracked by The Carpenters and lifechanging encounters with the Manics and PJ Harvey as a teen, to newfound infatuations with SZA and The 1975,
In this week's Baker's Dozen, Nadine Shah guides Jeremy Allen through favourite albums from Mariah Carey to Fat White Family, along the way discussing her friendship with Amy Winehouse and why Richard Dawson is the only man who should be allowed acoustic guitars at parties
Following the release of Richmond Fontaine's tenth and final album, You Can't Go Back If There Is Nothing To Go Back To, the singer and author talks to John Freeman about his favourite albums of storytelling escapism
With Aidan Moffat's excellent new record with Bill Wells just out, we sent Daniel Dylan Wray up to Glasgow to meet the former Arab Strap man/Quietus sex columnist to discuss his top formative albums. And, with the help of beers, a record player and one powerful deployment of the phrase "get to utter fuck", here's what he picked
With the release of their formidable second album Foundations Of Burden imminent, Dean Brown talks to the Arkansas metal crew about their development since debut Sorrow And Extinction and why doom has the capacity for emotional catharsis
John Freeman heads up to Sunderland to eat falafel and meet with the Brewis brothers to find out why the sinewy pop of Field Music’s new album Commontime was inspired by fatherhood, Hall & Oates and hatred for a certain brand of 4x4 car
We were offered a very brief phone conversation with Lisa Gerrard of Dead Can Dance recently. There was nothing for it but to activate our many teeted, lizard agent from Interzone, Jonny Mugwump, whose feverish brain and forked tongue work in double time...
With a flurry of recent activity, including reissues and the promise of a book, Duncan Seaman talks to Jowe Head, Biggles Books and Phones Sportsman, as well as Geoff Travis of Rough Trade about the cult DIY band. Home page band portrait by Caroline Kraabel
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'