These are our favourite reissues, compilations, live albums, mixes and etceteras of the last 12 months as voted for by Jennifer Lucy Allan, Bobby Barry, Aaron Bishop, Patrick Clarke, John Doran, Christian Eede, Noel Gardner, Fergal Kinney, Ella Kemp, Sean Kitching, Anthea Leyland, Peter Margasak, David McKenna, JR Moores, Luke Turner, Kez Whelan and Daryl Worthington. Illustration by Lisa Cradduck
Prostitute’s frustration and rage felt immediate upon their debut album's arrival in 2024, but as imperial slaughter has only worsened in the time since, a new worldwide release sharpens the image even further, says Natalie Marlin
Black Midi are back with a second album that defies most (if not all) expectations people have of the band. They talk to Dan Dylan Wray about abandoning the jam, embracing the melody and picking up the wok. Home page photograph by Yis Kid
In this month's subscriber essay, Patrick McKemey eulogises the genre-melding soundtracks to the SimCity universe of games, sonic portals between the London suburbs and digital utopias built in his teenage bedroom
John Quin presents a hormonally loaded take on Martin Scorsese and Paul Schrader’s classic of male alienation. For top tier subscribers to this site, click below for a 'Quietus Essentials Playlist' guide to the cinematic music of Bernard Herrmann
Mary Epworth's Twitter profile is three words long. It reads 'I like hares'. Here, the singer-songwriter and self-confessed "wildlife-obsessive" talks to John Freeman about the "otherworldly, but hugely misunderstood" mammal.
In their very first interview about a new album of protest songs, The Specials' Terry Hall, Lynval Golding and Horace Panter speak to Patrick Clarke about how political music and the energy of Black Lives Matter lifted them from pandemic-enforced inertia