The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
The Knife's new live show has baffled, irritated and delighted audiences in equal measure. After their show at London's Roundhouse last week, Alex Macpherson sat down with the group to discuss communication, the politics of movement and reconfiguring peoples' expectations
Ahead of his performance at Outernational Days next week, Lebanese electronic musician and Morphine label head Rabih Beaini talks to Rory Gibb about the challenges and emerging possibilities of collaboration across countries and cultures
Electrelane's Verity Susman is currently voyaging through a sonic world where human meets machine: organ drones, sung vocals and queer fantasies in computerised spoken word. She speaks with Bryony Beynon about audio collage and the disconnect between people and their computers
Before she plays Bloc this weekend, the Golden Pudel resident DJ and producer has an in-depth conversation with Albert Freeman about the approach she takes to making music, the over-accelerated exposure cycle of new material and the creeping danger of virtual life
Daniel Avery's debut album Drone Logic finds the London-based DJ and producer tripping out into expansive, lysergic techno territory. He speaks with Rory Gibb about the enduring appeal of DJing and a love for tracks that blindside you on a dancefloor
Even though her song 'Video Games' emerged a couple of months back, Lana Del Rey has already experienced equal parts adulation and suspicion. Here, John Calvert speaks to her about David Lynch, New York and the ghosts that hide behind her 'white picket-fenced cheer'. The NSFW YouTube clip contains strobing images