The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
The Knife's new live show has baffled, irritated and delighted audiences in equal measure. After their show at London's Roundhouse last week, Alex Macpherson sat down with the group to discuss communication, the politics of movement and reconfiguring peoples' expectations
Steve Parry's latest album as Hwyl Nofio finds him exploring personal and collective histories in his home region of South Wales. He speaks with Kevin Mccaighy about the rise and fall of industry and wandering the valleys with a field recorder
In his latest column, Kez Whelan salutes the brilliance that occurs at the intersection of black metal and hardcore punk, the ongoing boom in death metal, and reviews new releases from Scarcity, Harvestman, Krallice and many more
In the often apolitical world of house and techno, stellar DJ/producer/booker The Black Madonna is fearless when it comes to voicing her beliefs. Manu Ekanayake sat down with her to talk race, gender, disco and house, Trump and the Ghost Ship fire