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Black Sky Thinking
Social Media Myth: Why Facebook Hasn’t Stolen Your Friends
Over the past few months, Facebook has been heaving under panic postings from bands and so on claiming that their posts were being hidden in a Zuckerberg quest for cash. Not so, says Charles Ubaghs, head of social media for a major radio group
Baker’s Dozen Appearances 2
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Previously Read
Baker's Dozen
No Repeats: Tunde Adebimpe’s Favourite Albums
In the wake of his debut solo album, the TV On The Radio vocalist looks back to his longstanding love of mixtapes for an eclectic Baker's Dozen – taking in 60s psychedelia, hip hop, krautrock, dub, IDM, and his eight-year-old daughter's love of Lightning Bolt
Low Culture Essay
The Velvet Underground Live In 1969 At 50
Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
Opinion & Essays
The Labels Shaping a New Ukrainian Underground Part 2: Money, Money, Money…
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk of Neformat continues her look into Ukrainian DIY record labels. Having surveyed those attempting utopian collective approaches in part one, this time she examines the unavoidable downsides of running a label during wartime
A Quietus Interview
Mr Smith Goes to Dalston: John Smith on The Girl Chewing Gum at 50
As his experimental film marks its fiftieth birthday with a screening in the Dalston street where it was shot, John Smith speaks to David Moats about his life's work exploring the unreliable perspective of the camera's lens
Anniversary
Rhythmic Cinema: Why Battleship Potemkin Remains Relevant, 100 Years On
From Shostakovich, to Pet Shop Boys, to DIY and grassroots collectivism, Luke Richards celebrates the centenary of the first public screening of Sergei Eisenstein's Battleship Potemkin, on January 18, 1926, and the myriad interpretations of its soundtrack which keep it relevant and radical today
