Berlin's Samuel Kerridge re-casts techno as a sensuous, murky throb, overwhelming the listener with waves of sub-bass and metallic ambience drawn from doom metal and post-punk. He speaks to Maya Kalev about his new EP for Regis' label and the importance of pushing against constraints
Ahead of two special Halloween shows in London's Union Chapel this weekend in which he will play some of the best know of his soundtrack collaborations with John Carpenter, Alan Howarth talks to Mat Colegate about his long and distinguished career in soundtracks and sound design