There was a minor conference of whoppers recently when alt-right figurehead Jordan Peterson popped into Mumford & Sons' studio for a photo op. Jazz Monroe explains why this proves that music journalists and cultural Marxists were right all along
Jeremy Allen normally gets annoyed at people leaving notes telling him what to do. But in the case of Savages and Yeah Yeah Yeahs instructing their audiences not to wave their cameraphones around like bellends, he can get behind the cause... even if it is doomed
Bronski Beat's 1984 floor-filler 'Smalltown Boy' has travelled through cinema as a marker as gay cultural subjectivities since 1986's Parting Glances. Jack King maps the song's onscreen history and its reckoning with the queer tension between love and death