Brussels-based producer Zoë McPherson's debut cassette/EP signalled an ascendant voice in electronic music, shifting through vocal-lined techno and ambient with shades of Muslimgauze, Vatican Shadow and Gazelle Twin. Now, she tells Tristan Bath how Irizajn was the result of pygmy vocal samples, ethnology tomes and technical experimentation
With a head-spinning new composition due out this month, following up on last year's startlingly brilliant Pipes, Katie Gately talks to Tristan Bath about moving into music from film sound design, utilising technology and how the voice can be a means of personal reinvention