Ollie Judge and Anton Pearson of modern rock band Squid take a walk past the neolithic burial chambers and chalk horse carvings of Wiltshire with John Doran to explain the genesis of their singular new album, O Monolith. All portraits by Maria Jefferis
You can call it “Crank Wave”, you can call it “Wonk”, or you can even refer to “It Might Give You A Headache But Boy Is It Exciting-core”, says John Doran, as long as you recognise the importance of the Speedy Wunderground label and drop the embarrassing references to IDLES and Shame
In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future
Jerskin's second album Once Upon a Time... In Shropshire is a novel album of country death songs, country life songs and country love songs. But why did it take so long and how does it fit in with his growing reputation as a composer for films? Words by Robert Davidson. All photography by Tim Gutt. CW: Contains mention of suicide