Spinal Tap
Articles 2
Baker’s Dozen Appearances 1
Baker's Dozen
Low End Theories: Palehorse’s Favourite Bass Albums
Before their appearance at Desertfest at the Camden Underworld this weekend, uber-heavy bass guitar maestros James Bryant and John Atkins of Palehorse salute their favourite bass albums with Kiran Acharya (and even include one that has no bass guitar at all)
News 4
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A Quietus Interview
Someone Disappears / Someone Reappears: Jules Reidy Interviewed
You are unlikely to hear a more arresting and unique album this winter than Ghost / Spirit. Miloš Hroch talks to Jules Reidy about this statement fuelled by mysticism, ego death and the influence of shoegaze. Portraits by Camille Blake
A Quietus Interview
Micachu & the Shapes: No Pigs Were Harmed In The Making Of This LP
For their latest, Good Sad Happy Bad, experimental pop group Micachu & The Shapes sank a few then confined themselves to a rehearsal space for a stripped-down, marathon recording session; some metal ensued, as they tell DJ Pangburn
A Quietus Interview
Getting off the Bus: Loula Yorke Interviewed
During the last two years, Loula Yorke has released six albums and a mixtape and she's only just getting started. Joe Muggs talks to the modular synthesist about a background in raving and activism, and why it's time to start thinking of herself as an artist
Anniversary
World Class: How Radiohead Gave Us The Bends
Though The Bends has since been overshadowed by what followed, its release 30 years ago found Radiohead on the cusp of stardom. Wyndham Wallace joins them on a journey from their early days to their inevitable worldwide breakthrough. This article was first published on 3 March 2015
A Quietus Interview
A Path Through Darkness: Keeley Forsyth Interviewed
Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
Strange World Of...
The Strange World Of… Lou Reed
On the release of a new compilation of Lou Reed’s 1960s compositions at Pickwick Records, Wayne Gooderham surveys the sprawling solo career that was to come later, and picks out ten key tracks that serve as guides to an intimidating post-Velvets discography
