Digging into Carrie Brownstein's memoir — Hunger Makes Me A Modern Girl — Alex Robert Ross finds a work that, removed from interaction with her collaborators, is as rife with tension as her work with Sleater-Kinney, packed full of introspection and self-laceration, but one which never strays into rock memoir cliché
This week, the seminal Washington trio released their first album in a decade. In an in-depth interview, drummer Janet Weiss tells Emily Mackay about No Cities To Love's genesis, being figureheads to a new generation of riot grrrl-inspired bands and being a part of the feminist conversation. Photographs courtesy of Brigitte Sire
Ahead of Wild Flag's appearance at ATP's Nightmare Before Christmas next weekend, Jenny Stevens spoke to the band's Janet Weiss to talk about how the group came together and why comparisons with members' previous projects are way off the mark
The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
Forty-five years after it was first released, Joseph Burnett returns to Young's fifth solo record, an album that marked an angered transition from Harvest, bolstered by some of his bleakest and greatest moments. This feature was first published on 9 August 2014
The penniless genius creating work in his or her garret is a long-standing staple of popular culture, exploited for good PR by artists from Bob Dylan to Seasick Steve and Pete Doherty. But, says Eamonn Forde, the reality of life faced by artists like Lawrence of Mozart Estate, is not something to be celebrated by lazy music fans
In this month's Low Culture Essay, Wrongtom weaves the life of his jazz pianist grandad into his encounter with Norman Cook & co's 1990 hit single, and explores how it changed his own musical trajectory