Late last week, veteran noise act Skullflower were dropped from the line up of Raw Power festival - yet for most of their lengthy career they have been considered apolitical. Here Dylan Miller considers the jigsaw of evidence against Matthew Bower and asks, 'What changed?'
John Doran wonders if there are any rules as to what makes a modern song psychedelic, or is it simply in the (third) eye of the beholder? With Spotify list of mind-warping office favourites from the history of the Quietus
Skullflower recently released their self-professed 'most extreme album yet', Fucked On A Pile Of Corpses. Joseph Burnett met up with Skullflower's Matthew Bower, to talk about his varied musical history, and the genesis of the new album
We were offered a very brief phone conversation with Lisa Gerrard of Dead Can Dance recently. There was nothing for it but to activate our many teeted, lizard agent from Interzone, Jonny Mugwump, whose feverish brain and forked tongue work in double time...
With a flurry of recent activity, including reissues and the promise of a book, Duncan Seaman talks to Jowe Head, Biggles Books and Phones Sportsman, as well as Geoff Travis of Rough Trade about the cult DIY band. Home page band portrait by Caroline Kraabel
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
In this lost interview from 2009, Rhys Chatham talks to David Moats about doom metal, gentrification and drum & bass as a collaboration between him and Charlemagne Palestine comes to St. John's Church in Hackney on Thursday as part of William Basinski and Art Assembly's Arcadia series
Jeremy Allen interviews Carla Bruni in Paris about her new album French Touch, but politics is strictly interdict. “I wish good luck to Mr and Mrs Trump, I wish good luck to Mr and Mrs Macron, and I don’t care, do you understand?”
Ahead of their Quietus Social show in support of Alexander Tucker, Eden Tizard speaks to Gentle Stranger about audience responses, the dialogue between a musician and non-musician approach, and their own post-clown ethos. Pictures by Daniel Gatenio
The transportive, ritualistic drones of London's Anji Cheung conjure up portals to uncanny other worlds, heavy with the thrill of the unknown. Ahead of her performance at Supernormal this weekend, she meets Jimmy Martin to discuss a fascination with the occult, and how Throbbing Gristle and Coil have inspired her music's trips into inner space