Daniel Fraser speaks to Simon Critchley about the architecture of memory and a move toward its obliteration, the culture of stigma surrounding death in our current civilisation (as well as his distaste for that term) and his recent genre-bending philosophical treatise-cum-novel Memory Theatre
Prefaced by a short, self-conducted Q&A, we present an extract from author and philosopher Simon Critchley's new book on David Bowie — part personal memoir, part critique — in which we move between Diamond Dogs and Danton's Death, from Nietzsche to the French Revolution
As they prepare to release their second album and embark on their debut UK tour, Canadian improvisational ensemble Earth Ball tell Julian Marszalek about advertising on an old mattress, their unconventional base in a “dirty, weird coal mining town,” and the cooperative joy of instant composition