Yes they probably invented folk rock but also, on their landmark third album, Fairport Convention, presented a view of England that has now been lost... one of violent division along lines of class and gender but one that was also positive and questing, says Michael Hann
As we get ready for this year's Supersonic Festival, Noel Gardner, John Doran and Luke Turner present their takes on what the underground we're calling New Weird Britain constitutes, from anti-corporate defiance, performance art, and a bold new exploration of landscape and place
Folk at its rawest is often bloody, uncompromising stuff, and Bert Jansch was one of its magical practitioners. Add fiery guitar-playing, a voice hewn from Edinburgh stone, original songs full of lyrics fabout the darkest sides of life, and you get one of music's most fascinating characters, argues Jude Rogers
From teenage awakenings at the hands of Björk and Stereolab via English folksong, a lockdown obsession with Dead Can Dance and a newfound love of Lili Boulanger, Patrick Wolf takes Luke Turner through the thirteen records that have defined his life
After escaping an abusive relationship and earning a slew of high-profile supporters for her bare-all songwriting, Sharon Van Etten endured two years of homelessness while making her new album, Tramp. She speaks to Cian Traynor about toughening up and learning to camouflage heartache
With a surprise new album, Owen Pallett returns to the story of the “young, ultra-violent farmer” Lewis, and has drafted in the London Contemporary Orchestra to help out. Rob Hakimian is on hand to ask about the sonic and narrative details that went into the creation of this long-awaited record