Senyawa
Reviews 7
Articles 2
A Quietus Interview
It’s A Music Lover’s Thing: An Interview With Rabih Beaini
Ahead of his performance at Outernational Days next week, Lebanese electronic musician and Morphine label head Rabih Beaini talks to Rory Gibb about the challenges and emerging possibilities of collaboration across countries and cultures
A Quietus Interview
A Volcanic Talent: Senyawa Interviewed
Indonesian duo Senyawa are one of the most startlingly original acts of recent years, combining a bamboo instrument shaped like a ritual spear with throat singing, producing music that's reminiscent of heavy metal. WTF, asks John Doran. Vocalist Rully Shabara Herman gives him some answers
News 7
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A Quietus Interview
Father Figures: An Interview With Field Music
John Freeman heads up to Sunderland to eat falafel and meet with the Brewis brothers to find out why the sinewy pop of Field Music’s new album Commontime was inspired by fatherhood, Hall & Oates and hatred for a certain brand of 4x4 car
A Quietus Interview
As Wide As The Universe: Dead Can Dance Interviewed
We were offered a very brief phone conversation with Lisa Gerrard of Dead Can Dance recently. There was nothing for it but to activate our many teeted, lizard agent from Interzone, Jonny Mugwump, whose feverish brain and forked tongue work in double time...
A Quietus Interview
Organised Chaos: Swell Maps Interviewed
With a flurry of recent activity, including reissues and the promise of a book, Duncan Seaman talks to Jowe Head, Biggles Books and Phones Sportsman, as well as Geoff Travis of Rough Trade about the cult DIY band. Home page band portrait by Caroline Kraabel
A Quietus Interview
Resurrection & Revenge: Michael Chapman Interviewed
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
