As Jojo Orme announces details of debut Heartworms album Glutton For Punishment, she speaks to to Jeanette Leech about how fending for herself after a traumatic childhood led to her fierce DIY ethic, confounding sexist music blokes, and why you can love warplanes but still be anti-war
On the 50th anniversary of The Texas Chain Saw Massacre, Mat Colegate pushes back against the common consensus that its director Tobe Hooper spent the rest of his career merely failing to escape its shadow, and argues that he deserves just as much acclaim for the misunderstood filmography that was to follow
Squarepusher once said he has no recollection of making Ultravisitor, his “spectacle of beauty and of terror”. As the record is reissued as an expanded edition for its 20th anniversary, Siobhán Kane returns to the record’s ambiguous beauty
Wayne Gooderham explores the influence of Hubert Selby Jr's transgressive masterpiece on popular music; and on the gender sensibilities of The Smiths, Van Morrison and The Velvet Underground in particular. CW: Some may find the language quoted in this article that describes LGBTQI people & sex workers outmoded or offensive