Sean Kitching argues that 1978s two most idiosyncratic releases, the Residents’ Duck Stab/Buster & Glen and Pere Ubu’s Dub Housing, both released on November 30 of that year, represent a pinnacle of individualism at the outer periphery of American art rock
As he prepares for more post-Shane MacGowan shows with The Pogues following a triumph in Hackney earlier this year, Spider Stacy takes Patrick Clarke through 13 records that shaped him, from post punk classics through to the new wave of folk music, via jazz, hip hop, roots reggae and more
Echo & The Bunnymen’s Will Sergeant takes Richard Foster through thirteen favourite albums from The Residents to Love, recalls making records with his dad’s electric shaver and a stringless guitar, explains why it’s time to stop bashing prog rock, and much, much more
British Murder Boys, the twosome of Regis and Surgeon, are sadly now defunct. Before they both play on the same bill at Bloc this weekend, they talk to Luke Turner about Gene Vincent, the influence of pantomime and channelling the errant daydreams of winos into pummelling techno
Steve Parry's latest album as Hwyl Nofio finds him exploring personal and collective histories in his home region of South Wales. He speaks with Kevin Mccaighy about the rise and fall of industry and wandering the valleys with a field recorder
In his latest column, Kez Whelan salutes the brilliance that occurs at the intersection of black metal and hardcore punk, the ongoing boom in death metal, and reviews new releases from Scarcity, Harvestman, Krallice and many more
In the often apolitical world of house and techno, stellar DJ/producer/booker The Black Madonna is fearless when it comes to voicing her beliefs. Manu Ekanayake sat down with her to talk race, gender, disco and house, Trump and the Ghost Ship fire