Lesley Chow dissects the (semi-) serious intent behind Stephen Malkmus' nonsensical rhymes on Pavement's 3rd album which was positioned as the "logical end-point of rock". This feature was originally published in 2020 to mark the album's 25th anniversary
The hard-grafting London punk four-piece all work full-time, they tell Jamie Ryder, but they’ve found the time to record a thrilling new full-length and play Thurston Moore’s birthday, among other things. Sauna Youth portrait by Owen Richards
By day, Cory Rayborn's a business and environmental lawyer, by night (often five nights in a row, packaging records by hand) he's putting out limited-run releases by the likes of Bardo Pond, Steve Gunn and Sun City Girls. As his label Three Lobed marks 15 years of operations, he talks to JR Moores
Ahead of British Sea Power's soundtracking of Polish animation at the Barbican as part of Kinoteka Film Festival and the release of new album Let The Dancers Inherit The Party, vocalist Scott Wilkinson guides Richard Foster through his favourite albums, from War Of The Worlds to Mighty Sparrow, Pavement and more. Photo by Mayumi Hirata
Burning Down the House by Jonathan Gould tells the story of the American new wave band and the fertile scene they came up with, but does the book risk reducing the city and everyone in it to a backdrop for the group's mercurial lead singer? asks Elizabeth Wiet
As the most significant general election in decades looms, Nathalie Olah questions celebrities and brands who like to make vague political statements but don't take a stand to say who, exactly, they're endorsing
In his second installment of Hyperspecific for 2021, Jaša Bužinel discusses the recent club safety measures suggested by the UK government from a wider European perspective, and reviews exciting new music from ZULI, Speaker Music, VTSS and object blue
Compass Point Studios, and its house band the Compass Point All Stars, were going to be Chris Blackwell and Island Records’ defining statement to the world. Instead, they provided Grace Jones’s. And that, says David Bennun, looking back at the three extraordinary records she made there between 1980 and 1982, is more than enough