Following the release of his second album, '绿帽 Green Hat', through PAN earlier this year, and ahead of an appearance at this month's Dekmantel festival in Amsterdam, Tzusing talks to Christian Eede about anxiety, shifting his focus as a DJ and why he named his latest record to "piss off" his dad
Following the release of Slipping Control at the close of summer, Alexander Iadarola sat down with Ben Vida to discuss the interfacing between art and musicians, sonic recalibration and Transformers as "the most advanced sound design musique concrète"
With a pair of new releases on PAN, Lee Gamble has used his background in experimental computer music to create exquisite deconstructions of jungle & techno. In advance of his London show this weekend, he speaks to Angus Finlayson about eluding dancefloor fashions and youthful mystique
The ramshackle and fiendishly addictive dance music that Berlin resident Heatsick coaxes from a simple set-up opens a direct conduit between his own impulses and the movements of the dancefloor. Angus Finlayson caught up with him to discuss limitation, imitation and "unlocking" the audience
It's a new Quietus column! On jazz! Jamie Skey brings us birthday wishes and fond remembrances for jazz legends departed, along with great new albums by Magnus Ostrom, Joachim Kuhn, Blue Touch Paper, Sons of Kemet (pictured) plus a live review of Kentyah Presents: M1, Brian Jackson and The New Midnight Band
Can drummer and rhythmic innovator Jaki Liebezeit sadly died earlier this year, but the sounds and pulses he created will continue. In this Quietus Essay, John Payne takes an in-depth look at the theory behind the noise
Ahead of their appearance across Le Guess Who? festival in Utrecht this November Terrie Hessels, Katherina Bornefeld, Andy Moor and Arnold de Boer of The Ex sit down with Noel Gardner to talk about the importance of Ethiopian music. Features exclusive Fendika track
In the latest edition of New Voices Ukraine, tQ's new collaboration with 20ft Radio, Neformat, the British Council and Ukrainian Institute, Yaryna Denysyuk of Neformat casts her eye over the DIY labels grappling with an underground music scene that's been reshaped by war