Following the release of his second album, '绿帽 Green Hat', through PAN earlier this year, and ahead of an appearance at this month's Dekmantel festival in Amsterdam, Tzusing talks to Christian Eede about anxiety, shifting his focus as a DJ and why he named his latest record to "piss off" his dad
Following the release of Slipping Control at the close of summer, Alexander Iadarola sat down with Ben Vida to discuss the interfacing between art and musicians, sonic recalibration and Transformers as "the most advanced sound design musique concrète"
With a pair of new releases on PAN, Lee Gamble has used his background in experimental computer music to create exquisite deconstructions of jungle & techno. In advance of his London show this weekend, he speaks to Angus Finlayson about eluding dancefloor fashions and youthful mystique
The ramshackle and fiendishly addictive dance music that Berlin resident Heatsick coaxes from a simple set-up opens a direct conduit between his own impulses and the movements of the dancefloor. Angus Finlayson caught up with him to discuss limitation, imitation and "unlocking" the audience
Despite its disagreeable main characters, Stephen Frears’ record store romp still has plenty to offer for the hopeless romantics of the 2020s. Has there been a better failed and healed love story since? Adam Solomons investigates
With the long-awaited release of David Lynch's masterpiece _Eraserhead_ on DVD region 2, Austin Collings misses the enigma of the original as opitomised in its iconic poster. Plus, The Quietus collects the other 20 most enticing posters of all time.
In 1980, Robert Altman turned his talents to an unlikely character with a live-action take on Popeye – with Robin Williams in the title role. The confusing plotline and baffling concept troubled audiences at the time – but how does it hold up?