In honour of April Fool's Day, The Quietus collects the best Hollywood Hoaxes: from Joaquin's beard to Marilyn's letters; from the Hollywood makeup artists who made Bigfoot to Kubrick's moon landing; from electric shocks in the cinema to faux documentaries with Herzog; it's all here.
The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
Forty-five years after it was first released, Joseph Burnett returns to Young's fifth solo record, an album that marked an angered transition from Harvest, bolstered by some of his bleakest and greatest moments. This feature was first published on 9 August 2014
The penniless genius creating work in his or her garret is a long-standing staple of popular culture, exploited for good PR by artists from Bob Dylan to Seasick Steve and Pete Doherty. But, says Eamonn Forde, the reality of life faced by artists like Lawrence of Mozart Estate, is not something to be celebrated by lazy music fans
In this month's Low Culture Essay, Wrongtom weaves the life of his jazz pianist grandad into his encounter with Norman Cook & co's 1990 hit single, and explores how it changed his own musical trajectory