Miranda Remington gives us ten points of entry into the bewildering back catalogue of 'The Man From The East', Stomu Yamash'ta, a Japanese percussion prodigy who weaved together the classical with the underground; science fiction with Buddhism
kandodo's sweeping guitar soundscapes, inspired by a childhood spent in Africa, evoke images of open space and the planet's wildest and most untamed corners. He speaks to Joseph Burnett about how his self-titled debut came together, and the predatory majesty of the hyena